09 7 / 2014

"Cram your head with characters and stories. Abuse your library privileges. Never stop looking at the world, and never stop reading to find out what sense other people have made of it. If people give you a hard time and tell you to get your nose out of a book, tell them you’re working. Tell them it’s research. Tell them to pipe down and leave you alone."

Jennifer Weiner (via bookoisseur)

(Source: bookporn, via bookoisseur)

06 7 / 2014

04 7 / 2014

awwmikey:

a strong female character is one who is defined by her own characteristics, history and personality, and not solely by the actions or needs of other characters. she is a person in the story, not a prop. x

(via soprettyohsopretty)

03 7 / 2014

(Source: alexalosey, via bookoisseur)

03 7 / 2014

randomhouse:

madebyabvh:

Original illustration by Tom Gauld

Celebrate genre fiction, always!

(via bookoisseur)

30 6 / 2014

Genius.

Genius.

(Source: , via bookoisseur)

26 6 / 2014

26 6 / 2014

(Source: senj0ugahara, via bookoisseur)

25 6 / 2014

vmagazine:

The Interiors of Wes Anderson’ in the latest issue of Apartamento #13

“You could compare Wes Anderson to an interior decorator,”says  Apartamento’s Editor-in-Chief Marco Velardi of today’s enchanting series, taken from the bi-annual title’s latest issue. With the director and screenwriter’s private house strictly off limits, the magazine traces the meticulously considered art of set design in his filmography: miniature brownstone apartments, nostalgic color schemes and embroidered and elaborate costumes. “I always say that a picture of someone’s home tells you a lot more about that person than any portrait possibly can,” muses Nacho Alegre, director and co-founder of Apartamento. “I imagine in a movie the time you have to describe a character is limited, so using the interiors to do so probably becomes something of a necessity.” An intricate visual language has become Anderson’s trademark; in his hands, set design becomes both a storytelling device and character trope, from his shot-on-a-shoestring debut, Bottle Rocket, to his latest saccharine fantasia, The Grand Budapest Hotel. Velardi adds: “Ultimately, if you look at his work there are a lot of interiors, with very peculiar and very precise work on the spaces and what people wear; Wes is passionate about every single detail, and that’s why it’s fascinating for us.”  

h/t nowness

(via bookoisseur)

21 6 / 2014

katbuchananbarnes:

Bernard Black // Black Books.
I don’t mean this in a bad way, but genetically you are a cul-de-sac.’

(via bookoisseur)